Walter
Bender's | homepage |
Family | |
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My children, Daniel and Elise, at Crane's Beach with their sand castle, Puff's in Love (1997 version). 1994's sand castle was Puff's Back. 1993's sand castle was Puff's Retreat. |
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My wife Wanda instructs students in English-language learners (ELL) at the Bowen School in Newton, Massachusetts. One of my favorite stories from her classroom is about double negatives: she was trying to explain the concept of double negatives in English to students and she remarked that as in mathematics, "multiplying" two negatives makes a positive, but multiplying two positives does not make a negative; to which one of her students replied, "yeah, right." My daughter, who went from sand castles to MIT, put together a tribute to Arthur Mattuck. My son is studying political science and economics at UMass Amherst. He is very active at the SATT program in Amherst. |
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We have an annual karaoke party at which my niece Deana (on the right) shows off her velvet voice. We use Taito's Lavca, an extraordinary machine designed by Barry Vercoe |
One Laptop per Child |
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I am taking a leave from MIT in order to join One Laptop per Child, a not-for-profit foundation, to help with their efforts to develop and deploy a technology that will revolutionize how the world's children engage in learning. |
About the Media Lab |
From September 2000 through Jaunary 2006 I was the executive director of the MIT Media Lab. As director, I made the occasional organizational diagram: lollipops; 7 circles; 5 circles; etc. The thrust of the Media Lab has always revolved around "technology in support of learning and expression by people and machines." In its first decade the Media Lab was about "being digital"; we invented much of the technology that enabled the digital revolution of the late 1980s and early 1990s. Our focus also encompassed the application of the technology to the problems facing people: how they inform, entertain, and express themselves. The second decade saw a shift toward pervasive, ubiquitous computing. We pioneered such fields as wearable computing and tangible media, further enhancing individual and community expression. The Lab's upcoming decade will turn in large part to an exploration of the technologies of human augmentation. We are striving to overcome limits of human resourcefulness and capability by inventing models and means of mind and expression. We are developing models of the mind that encompass cognition and affect as well as the means of enhancement: our memory, understanding, expressiveness, awareness, empathy, and physical performance. This research agenda is synergistic with work going on across campus: particularly in Brain and Cognitive Science, Bioengineering, Management, Mechanical Engineering, Computer Science/Artificial Intelligence, and Urban Planning. Media Lab researchers have been exhorted to "demo or die." More recently, we have recast that charge with an iterative process: "imagine, realize, and critique." The Lab has organized itself around the rapid prototyping of ideas; the construction of working prototypes enables us to draw upon the tradition of the "studio design" critique: we have daily visits from our industry and academic collaborators with whom we engage in an authentic critical dialogue within a context that is broader than is typical of a university setting. This focus on learning through expression has characterized both the research side of the Lab and its academic program, Media Arts and Science (MAS), which derives its intellectual agenda from the research program. Our emphasis on the practice of learning-by-creating-often in an apprenticeship, atelier-style context-represents the deepest epistemological tie we have to our home at MIT in the School of Architecture and Planning. |
Students |
The best thing about MIT is the students. Some of my current and former students are Nathan Abramson, Joey Berzowska, Erik Blankinship, Alan Blount, Bil Burling, Pascal Chesnais, Hyemin Chung, LaShaun Collier, Enrico Costanza, Klee Dienes, Joan Morris DiMicco, Cris Dolan, Ingeborg Endter, Ian Eslick, Uri Feldman, Jeana Frost, Vadim Gerasimov, Carla Gomez-Monroy, Jose Gonzales Pinto, Dan Gruhl, Jill Kliger, Doug Koen, Mark Kortekaas, Håkon Lie, Paul Linhardt, Cameron Marlow, Mike Massey, Michelle McDonald, Mok Chee Kong, Robert Mollitor, Marco Monroy Fonseca, Bo Morgan, Luke Ouko, Jon Orwant, Dennis Quan, Ramesh Srinivasan, Daniel Stevenson, Alexandre Stouffs, Laura Teodosio, Marko Turpeinen, Sunil Vemuri, Scott Vercoe, Steve Waldman, Joel Wachman, and Larissa Welti-Santos. |
Research | Our research group, Electronic
Publishing, was begun in 1978. |
Puzzles | I like puzzlers: chimpanzee/monkey, M-Heart-Eight, 0,1,2,WHAT?!, tiling a square, 10 rows of 3, and magic number. Also, I've recoded a couple of puzzle games that Jon Orwant and I worked on together a few years back: deducto and color deducto. Phil Fleming challenged me with a Burr that is difficult because the pieces extend beyond the normal volume. You need a combination of slides to put the two hemispheres together. Joan DiMicco gave me a 5x5x5 burr. |
| I've designed a new puzzle recently, inspired by the perceptual psychologist, J. Hochberg. |
| I designed a hybrid Burr puzzle with an unusual assortment of pieces. |
Recipes |
I also like to eat pumpkin pie, sour cream coffee cake, spuds, and pickled herring. Coming soon: Meatloaf, lime pie, lime and apples, chocolate chocolate chip cookies, and chocolate mousse. |
Sports | |
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Thanks to George Abrams, I was at Game 1 of the World Series at Fenway Park. Thanks to Ted Koplar, I was also able to attend Game 4 in St. Louis. |
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I have a Buddy Bike and bike buddies. |
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For many years, I was co-captain of the Shadow Masks, the Media Lab softball team. (The 1997 t-shirt can be seen here: front and back) |
Celebrities | |
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I met Pope John Paul II a few years ago at a conference on technology and spirituality My son Daniel met the Pope Benedict XVI at the top of the gondola on Mount Blanc. |
Media Lab | |
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Some of my
current
research projects... And some older work... | |
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Most things come in threes at the Media Lab, but here are a few interesting collections of seven:
Seven challenges for the Open Source community:
Jack Driscoll's seven criteria for news:
My seven news services for community: My fishwrap homepage... The switches... |
Some memes... |
Thoughts on the future of news |
The application of technology to the future of news is not only about the efficiency of professional production and distribution of news. It is also about providing the news consumer with tools that facilitate creation, access and use of news in both individual and communal contexts. While the adoption of digital communication technology by the news industry will enhance consumer access to information, it must also support news as a "community service." News as a service model is one in which the consumer of news is an active, engaged participant. This service model encourages two-way communication between the traditional news provider and the consumer, and communication within communities built upon common interests. The service model of news becomes a part of the social fabric within communities, a catalyst for creating communities of interest, and a means of facilitating community introspection. Modern telecommunications is leading us inevitably to the smallest news product imaginable: the personalized newspaper, or Daily Me, whose content has been tailored to meet an individual's needs and interest. Computerized "butlers" or "agents" are acting on the reader's behalf, culling articles of interest from traditional and non-traditional news sources, before sending them down the wire to the reader's home. Luddites see the Daily Me engendering a fragmented world populated by self-interested myopes. They argue that editors should continue to publish articles that establish the point-of-view for the community. They want news pushed upon them. The Daily Me proponents want to pull news in. There are alternative interpretations of the Daily Me. Regardless of whether one subscribes to the "push" or "pull" model of news, such systems can personalize articles for individuals and communities of readers, e.g., varying the degree of detail and background information provided in an article, or reflecting what the community already knows or does not know about the topic. Providing readers with the proper context is as important as providing the content itself. News organizations must continue to provide news to individuals and encyclopedic knowledge about their communities. But they must also acknowledge the role of consumers as producers. The future of the industry is as much about construction as it is about consumption. The impact of "going digital" is the emergence of a new relationship between publishers and their public: making news more relevant by building linkages between news providers and consumers. |
In memorium |
my father Ralph
Bender |